Exhibition
ARCHEOGRAPHY III (SUSPENDED GARDENS)
ARCHEOGRAPHY III (SUSPENDED GARDENS), a performative installation conceived collaboratively with Monstah Black. This multi-disciplinary exhibition was on view from February 21, 2009 through March 29, 2009 at SUPERFRONT’s original gallery in Bed-Stuy, Brooklyn. The project explored an integration between
ARCHEOGRAPHY III (SUSPENDED GARDENS)
ARCHEOGRAPHY III (SUSPENDED GARDENS), a performative installation conceived collaboratively with Monstah Black. This multi-disciplinary exhibition was on view from February 21, 2009 through March 29, 2009 at SUPERFRONT’s original gallery in Bed-Stuy, Brooklyn. The project explored an integration between
LAUNDROMAT PROJECT EXHIBIT
Exhibit design for the Laundromat Project’s 2009 Create Change Public Artist Residency Program Exhibit, a group show produced by Brooklyn non-profit the Laundromat Project at SUPEFRONT gallery in the fall of 2009. Installations and exhibit design were conceptualized and built
LAUNDROMAT PROJECT EXHIBIT
Exhibit design for the Laundromat Project’s 2009 Create Change Public Artist Residency Program Exhibit, a group show produced by Brooklyn non-profit the Laundromat Project at SUPEFRONT gallery in the fall of 2009. Installations and exhibit design were conceptualized and built
BLACK SITE
Inspired by the CIA’s documented use of rap music as an element of sleep deprivation torture, BLACK SITE #2 consists of a multi-media installation that hybridizes ad hoc detention with ad hoc performance. Two microphones are fed into sound exciters
BLACK SITE
Inspired by the CIA’s documented use of rap music as an element of sleep deprivation torture, BLACK SITE #2 consists of a multi-media installation that hybridizes ad hoc detention with ad hoc performance. Two microphones are fed into sound exciters
NATIONAL MUSUEM OF THE AMERICAN INDIAN
A museum way-finding and signage design focused on distinguishing a historic landmark building–the U.S. Customs House in downtown Manhattan–with the Smithsonian National Museum of the American Indian’s mission and identity. The distinct program of each institution is defined by identifying
NATIONAL MUSUEM OF THE AMERICAN INDIAN
A museum way-finding and signage design focused on distinguishing a historic landmark building–the U.S. Customs House in downtown Manhattan–with the Smithsonian National Museum of the American Indian’s mission and identity. The distinct program of each institution is defined by identifying
MATHAF
“Mathaf (pronounced Mat-haff, which means “museum” in Arabic) will present exhibitions and programs that explore modern Arab art. Its collection of more than 6,000 works represents major trends and sites of production of modern Arab art, spanning the 1840s to
MATHAF
“Mathaf (pronounced Mat-haff, which means “museum” in Arabic) will present exhibitions and programs that explore modern Arab art. Its collection of more than 6,000 works represents major trends and sites of production of modern Arab art, spanning the 1840s to
ABOUT FACE
“About Face” exhibition was presented by No Longer Empty, a non-profit that orchestrates public art exhibitions in vacated storefronts and properties. The project involved artwork labels, wall text, web and print invites, storefront graphics, and print collateral. In addition, No
ABOUT FACE
“About Face” exhibition was presented by No Longer Empty, a non-profit that orchestrates public art exhibitions in vacated storefronts and properties. The project involved artwork labels, wall text, web and print invites, storefront graphics, and print collateral. In addition, No
ACTION CENTER TO END WORLD HUNGER
Mercy Corps’ “Action Center to End World Hunger” required freelance project construction and fabrication oversight for interactive, graphic and physical elements.
ACTION CENTER TO END WORLD HUNGER
Mercy Corps’ “Action Center to End World Hunger” required freelance project construction and fabrication oversight for interactive, graphic and physical elements.